Interperceptive Bridge: Looking In, Seeing Out

The photo montage is a reinterpretation of the existing site. It illustrates the individual components of the bridge as well as its surrounding, therefore emphasizing and underlining various elements that can be experienced or perceived on site.
These various elements contribute to the pedestrians' perception of the bridge.By fragmenting perception, or breaking down images into individual components, a different experience is gained from the same environment. The manipulation of how a person perceives the surrounding relates to the idea of a teleidoscope where the outside image is imported into the inside and fragmented into different views of the same subject using various mirror system.

The 3 dimensional space frame structure allows different mirror panels to be placed in various angles, and in different planes. The spiral placement of mirrors controls the users' experience of change from no displace

ment of images to multiple complex displacement of images.

Drawings

READING

Recommended readings for each and everyone of you...:


Pun 
- Olafur Eliasson: Visionary Events, a text by Jonathan Crary
- Architecture from the outside: essays on virtual and real spaces by Elizabeth A. Grosz


Golfe
- New Geographies, text by Stefano Boeri (find it on his website, under TEXT-2008)
- Animate form by Greg Lynn
- Performative architecture, beyond instrumentality by Branko Kolarevic and Ali Malkawi


Ong
- XS: big ideas / small buildings by Phyllis Richardson and Lucas Dietrich (i will bring it to you on Friday)
- the work of the Team EXYZT
- the chapter Social space, collective space from the book Space and the architect by Herman Herztberger


Cherry
- Situationist International (if you want to realize the interesting political implications of a proposal such as yours), read Formulary for a new urbanism, Theory of the derive and Introduction to a critique of urban geography
- Delirious New York: a retroactive manifesto for Manhattan by Rem Koolhaas is currently on the reserved self of the 2nd floor of the library (make a copy for yourself)


Fa
- books by Atelier Bow-Wow
- work of Yona Friedman + look at the FRAC Centre Collection (still under construction, but it will be an incredible database)
- Walls of change, an article by Lebbeus Woods


Ton
- Philippe Rahm architects (really explore the projects, graphics and texts!)
- Minimal Art by Daniel Marzona and Uta Grosenick


Geng
- the work of the Team EXYZT
- the work of Patrick Bouchain
- Space and the architect by Herman Herztberger


Eiab
- Thinking Course by Edward de Bono (reference of the great graphic designer Stefan Sagmeister) - a very helpful book for designers
- Space and the architect by Herman Herztberger


Amy
- Olafur Eliasson: Visionary Events, a text by Jonathan Crary
- Thinking Course by Edward de Bono (reference of the great graphic designer Stefan Sagmeister) - a very helpful book for designers
- On Growth and Form by  D'Arcy Wentworth Thompson + revisited
- essays by Anthony Vidler, such as Warped Space: Art, Architecture and Anxiety in Modern Culture


Best
- In Praise of Shadows by Jun'ichiro Tanizaki 
- Architecture in the digital age: design and manufacturing by Branko Kolarevic


Enn
- Architecture in the digital age: design and manufacturing by Branko Kolarevic
- Performative architecture, beyond instrumentality by Branko Kolarevic and Ali Malkawi


N
- Boiteaoutils' different posts, under the theme engineering
- Performative architecture, beyond instrumentality by Branko Kolarevic and Ali Malkawi


Shane
- cf. previous email about Zaha Hadid drawings
- From control to design: parametric/algorithmic architecture, published by ACTAR
- Architecture in the digital age: design and manufacturing by Branko Kolarevic
- Animate form by Greg Lynn


Grace
- Gilles Clement,  From the Garden in Motion to the Third Landscape
- James Corner, the concept of Indeterminacy (you can go through this book: Recovering landscape: essays in contemporary landscape architecture and the article Landscape Strategy Now)
- Herzog & De Meuron: natrual history






A lot to read! 
You can look at your friends' recommendations as well. 
Take your time, give yourself chances to understand those texts. 
You are not expected to read them all at once.
Questions are welcomed!